The building's identity resided in the ornament.

The feudal concept of self-preservation is poisoned at the core by the virulent assumption of master and man, of potentate and slave, of external and internal suppression of the life urge of the only one – of its faith in human sacrifice as a means of salvation.

But the building’s identity resided in the ornament.

The architect who combines in his being the powers of vision, of imagination, of intellect, of sympathy with human need and the power to interpret them in a language vernacular and time – is he who shall create poems in stone.

When you look on one of your contemporary ‘good copies’ of historical remains, ask yourself the question: Not what style, but in what civilization is this building? And the absurdity, vulgarity, anachronism and solecism of the modern structure will be revealed to you in a most startling fashion.

To teach is to touch the heart and impel it to action.

Every building is like a person. Single and unrepeatable.

A proper building grows naturally, logically, and poetically out of all its conditions.

Form ever follows function.

When you look on one of your contemporary 'good copies' of historical remains, ask yourself the question: Not what style, but in what civilization is this building? And the absurdity, vulgarity, anachronism and solecism of the modern structure will be revealed to you in a most startling fashion.